Terpsichore in Sneakers: Post-Modern Dance is a study by the American dance critic and historian Sally Banes, first published in 1980 and shown here in the 1987 Wesleyan University Press edition, on the choreographers of the 1960s and 70s who turned away from narrative and virtuosity towards ordinary movement, tasks and chance.
Spacescapes: Dance & Drawing since 1962 is a 2017 collection of essays and interviews edited by Sarah Burkhalter and Laurence Schmidlin (JRP|Ringier and Les presses du réel), examining how dance and drawing have met since the first Judson Dance Group performance in 1962, with chapters on Yvonne Rainer, Trisha Brown, Anna Halprin, Anne Teresa De Keersmaeker and William Forsythe.
Revolution in Poetic Language is a study by the Bulgarian-French philosopher and psychoanalyst Julia Kristeva, an abridged English translation of La révolution du langage poétique published by Columbia University Press in 1984, on the bodily, rhythmic forces at work beneath the structures of language.
Music and Trance: A Theory of the Relations between Music and Possession is a study by the French ethnomusicologist Gilbert Rouget, an English translation of La musique et la transe published by the University of Chicago Press in 1985.
Walking is an essay by the American writer Henry David Thoreau, based on lectures he first gave in 1851 and published posthumously in 1862 in The Atlantic Monthly, in which he describes walking — "sauntering" — as a way of entering the wild and freeing oneself from ordered society.
"I must Create a System or be enslav'd by another Man's" is a line spoken by Los in William Blake's prophetic poem Jerusalem: The Emanation of the Giant Albion (c. 1804–1820), followed by "I will not Reason & Compare: my business is to Create" — a rejection of comparative reasoning in favour of imagination.
A pen-and-ink caricature by the American painter and writer Christopher Pearse Cranch illustrating Ralph Waldo Emerson's "transparent eyeball" from the essay Nature (1836): an eyeball on long legs in a top hat, standing in a landscape above the line "I become a transparent Eyeball."
A Line Made by Walking is a 1967 work by the British artist Richard Long: a photograph of a straight line worn into the grass of an English field by the artist walking back and forth, widely regarded as a founding work of land art and conceptual art.
Flow: The Psychology of Optimal Experience is a book by the Hungarian-American psychologist Mihaly Csikszentmihalyi, first published in 1990 and shown here in the 1991 HarperPerennial edition, on states of complete absorption in which action and awareness merge.

Walking

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