We rather hear them than smell them. In many cases, we much rather read about them. Simon, on the other hand, was instantly sold when he smelled his first fart. He draws inspiration for his objects, paintings, drawings, sound and performances from everything the body excretes: air, liquids and solids.

In his carnivalesque practice, Simon uses desecration to show an inside-out, or topsy-turvy world. The objects and rituals of his world start around a culture of laughter and are based around the bodily realities of the lower stratum. This topsy-turvy world is filled with sounds coming from nowhere, belonging nowhere and Lately he is focuses on the disturbing and seductive characteristics of sound.